Page 3: The Sensitive Nostril

The boy, who sat and dreamed at the water's edge, was in his eighteenth year or thereabouts, slenderly proportioned, and with well-cut features. The delicately moulded chin, the sensitive nostril -- these are the signs of the poet, the dreamer, rather than of the deficient in indications of strength. That heavy line of eyebrow should mean something, as also the free up-fling of the head when he sat erect; the final impression was of immaturity of character rather than of the lack of it. From the merely superficial standpoint, it may be added that he had brown eyes and hair (the latter being cut square across his forehead and falling to his shoulders), a good mouth containing the whitest of teeth, and a naturally light complexion that was already beginning to accumulate its summer's coat of tan.

He was dressed in a tunic or smock of brown linen, gathered at the waist by a belt of greenish leather, with a buckle that shone like gold. His knees were bare, but around his legs were wound spiral bands of soft-dressed deer-hide. Buskins, secured by thongs of red leather and soled with moose-hide, to prevent slipping, covered his feet, while his head-dress consisted of a simple band of thin gold, worn fillet-wise. This last, being purely ornamental, was doubtless a token of gentle birth or of an assured social station. A short fur coat, made from the pelt of the much-prized forest cat, lay in a careless heap at the boy's feet. It had felt comfortable enough in the still keenness the early morning hour, but now that the sun was well up in the sky it had been discarded.